Detune your A string to match the low open E, raise the D string one whole step to E, then detune the G string to match the open fourth string this creates unison E notes on the bottom two and middle two strings.įIGURES 4-5 show a mix of moves in this tuning, inspired by the aforementioned Stills songs.Shop Other Arrangements of "Suite: Judy Blue Eyes"
In 1969, Crosby, Stills & Nash released their self-titled debut, showcasing their unique three-part vocal harmonies and layered acoustic guitars-the polar opposite of the era’s blues-based “loud guitar” rock, as popularized by bands like Cream, Led Zeppelin and the Doors.ĬSN contains many of Stills’ best-known songs, among them “Helplessly Hoping,” a standard-tuned gem propelled by fingerpicking similar to what you see in FIGURE 3.ĬSN also introduced the world to “Bruce Palmer modal tuning” (low to high: E E E E B E), which Stills learned from the former Buffalo Springfield bassist and used in “Suite: Judy Blue Eyes,” as well as Déjà vu (CSN’s follow-up album with Neil Young) cuts like “4+20,” “Carry On” and “Word Game” from Stills’ 1971 solo album, Stephen Stills 2. Ray LaMontagne has continuously cited this track (first officially released on 1991’s Stills Alone) as the inspiration for his musical career path. Previously considered “lost,” these gems were commercially released in 2007 as Just Roll Tape, a guitar-and-vocal-only demo containing many future classics.Īmong these is the double-drop-D-tuned “Treetop Flyer,” akin to FIGURE 2, a nod to Stills’ Chet Atkins influence. During this “band turmoil,” Stills, on April 26, 1968, took matters into his own hands and recorded a songwriter demo.
This song was the result of a jam at Byrds member David Crosby’s house, an interesting fact given that months later, tensions within the Byrds, Hollies (with Graham Nash) and Buffalo Springfield camps would lead to the formation of Crosby, Stills & Nash.
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